Tag Archives: World War I

Playing with Fire: Israeli PM Benjamin Netanyahu is Risking the Future of Israel and the Jewish People

Israeli Prime Minister Benjamin Netanyahu is playing with fire by imploring Jews all over the world to leave their homes and move to Israel. His recent statement that he speaks for ALL worldwide Jewry is not only arrogant, but absolutely untrue, and regardless of whether or not Netanyahu and Likud win re-election in two weeks, the fact that many Israelis – both Jewish and otherwise – will vote against Bibi (as Netanyahu is also known) shows that a good many Israeli Jews don’t want him to speak for them either. Anti-Semitism is nothing new, and it has existed as long as there has been a Jewish people, but the most dangerous threats to the Jewish people have mostly come about since the rise of the modern conception of the nation-state during the 19th century. The birth of nationalism (which, throughout the 19th century and into the 20th, became increasingly fanatical) led to dark questions about whether the Jewish people were truly loyal to the nations that they called home, or if they had extra-national ties to other Jews that trumped any true national devotion. Desperate and failing regimes had an easy scapegoat to explain any societal ills, and whether the populace was poor, starving, or angry about a corrupt government, the response was often the same: ‘Blame the Jews! Those dangerous and untrustworthy others are the cause of all of our problems!’ I believe there are three major historical examples where the loyalty of the Jews of different nations was questioned and where it led to dangerous consequences for the Jewish people: those are the Dreyfus Affair in France, the publication of the “Protocols of the Elders of Zion’ in Tsarist Russia, and perhaps worst of all, the ‘stabbed in the back’ legend that planted dark seeds in the soil of Germany after its loss in World War I that grew into the Holocaust under one of the infamous fallacy’s true believers: Adolf Hitler.

The Dreyfus Affair that would soon expose a deep, calcified anti-Semitism that lay at the heart of French society, began in France in 1894 when Jewish French Army Captain Alfred Dreyfus was arrested (and rapidly tried and convicted by a military court and sentenced to life in prison) on the charge of treason for selling state secrets to Germany; the only problem was he was absolutely innocent of all the charges. The complete and utter lack of proof did not matter to the French officer corps that decided Dreyfus’s fate: it had simply decided that because Dreyfus was Jewish, his allegiance to France was tenuous and he must be guilty. The Officer Corps even refused to alter its opinion when it discovered in 1896 that Dreyfus was innocent and that the real traitor was Major Ferdinand Esterhazy; the resulting attempt by the army to cover up the exculpatory evidence exploded in the French press, as famous writers like Emile Zola lined up behind Dreyfus and accused the Officer Corps of blatant anti-Semitism for its attempt to hide the evidence which proved his innocence. France was split between liberals who rallied to defend Dreyfus and conservatives who either were members of the Catholic, traditional officer class or who sympathized with them, but the pressure grew to the point that the French President pardoned Dreyfus in 1899 even though it would take seven more years before the anti-Semitic officers would finally clear Dreyfus’s name and withdraw the conviction and all the charges. However in spite of Dreyfus’s vindication, the reflexive reaction of the elements of society who sought to bury him and tar his name laid bare the dark and powerful vein of anti-Semitism that lay in the heart of France and that has never truly disappeared even to the present day.

Published in Russia in 1903, “The Protocols of the Elders of Zion” may be the most infamous forgery in history. Purporting to reveal a secret meeting of powerful Jews in which they discussed plans for Jewish global domination, the book was popular among anti-Semitics all over the world, including among Americans like Henry Ford, who helped expose the book to a wider audience in the US. While the book was revealed as a forgery as early as 1921 – when it was proven to have plagiarized many of its passages directly from Maurice Joly’s “Dialogue in Hell between Machiavelli and Montesquieu,” – the fact that it was a lie did not lessen its popularity in anti-Semitic circles, and even today the translated book is still a bible of sorts for Jew haters everywhere. The lies put forward in “Protocols,” have remained fruitful into the present and whenever one hears comments (either serious or joking) that the Jews dominate the world through secret control of finance, the media, manufacturing, and more, he or she is feeling the continuing ripples of this century-old canard. In its day, “Protocols” helped spark many Russian pogroms in the final decade and a half of the Tsar’s rule and led  to violence, death, and destruction for Jews all over Eastern Europe; needless to say, it was also quite popular with Hitler and the Nazis

The ‘Stabbed in the Back’ legend in post-World War I Germany is perhaps the most deadly lie about Jewish disloyalty in history. Because of the brutal effects that Germany endured as a result of losing World War I and signing the Treaty of Versailles, many angry and ashamed Germans needed to come up with a reason to explain their hardships, and they found one in the lie that the ‘undefeated’ German Army was on the brink of winning the war in 1918 when Jewish traitors in Berlin betrayed Germany and sold it out to the Allies. Since the German army was still on French soil when the war ended and no Allied forces had set foot in Germany, the people chose to ignore the myriad causes of Germany’s loss and convinced themselves that the only reason that they lost the war was because they had been ‘stabbed in the back’ by traitors at home; specifically, they were betrayed by Germany’s Jews. For angry veterans like Corporal Hitler, it was far more convenient to blame the Jews than to look inwardly and admit the failures of the Kaiser, the generals, and themselves. Hitler bought into the ‘stabbed in the back’ lie without reservation and it confirmed for him the belief that Jews were not and never would be true Germans, but rather an internal enemy of the state itself, which caused Hitler to resolve to remove the Jews from all phases of German life.

Now we have Benjamin Netanyahu claiming to speak for all of the world’s Jews and calling for the Jews of Europe and elsewhere to undermine their home governments by recognizing his status as the true voice of the Jewish people and then moving to Israel. What reason could he possibly have for suggesting that non-Israeli Jews basically become the insurgent element that the anti-Semites of the recent past have vilified us as? I believe it is all for his immediate political survival and that he either does not notice or does not care that his short-sighted actions – and short-sighted actions have been a hallmark of Netanyahu’s rule – are bringing back many of those old lies about the lack of patriotism and loyalty of Jews. Bibi seems to be saying, “You Jews may live in the USA, Europe, or elsewhere, but in truth you’re all Israelis and your first loyalty must be to us,” which is untrue, subversive, and dangerous. He is pumping life into the old myths that were so catastrophic for the Jewish people, and forcing every Jew to make a choice by basically asking: “Are you an American Jew are a Jewish American?” The order of the words may not matter to some, but there is actually a difference between being an American (or European, or anywhere outside of Israel) Jew and a Jewish American. An American Jew is someone who is an American above all, in spite of his or her religious or cultural identification as Jewish, views Israel as a foreign country that takes a backseat to the United States; he or she may support Israel, but the USA comes first. A Jewish American is someone who is Jewish first and, and while he or she may not necessarily support Israel over the USA (or at all), their loyalties might indeed be tested if the alliance between the United States and Israel was dissolved. A Jewish American may agree with Bibi and feel that a preemptive strike against Iran is preferable to peace talks, and that the USA must be involved in such a military action from the start. An American Jew is more likely to side with President Barack Obama than Bibi, and to feel that going to war as a first option against a nation with almost 80 million people in order to aid the war-mongering Administration of a nation of just over 8 million people (not all of them Jewish) is a terrible idea.

If the peace talks with Iran fail – which, based on his speech to Congress last Tuesday and all his past statements and deeds, is what Bibi is aiming for – it would mean that a military ‘solution’ to dealing with Iran’s nuclear program would become far more likely, and Israel simply cannot fight that battle alone and win. Due to that fact, it means peace is by far the best option here, because the only way Israel even might win a war with Iran without active U.S. involvement would be to use nuclear weapons against Iran, and if Israel were to launch first strike nuclear warheads against Iran, it would completely end American support of Israel while simultaneously turning it into a universally despised rogue state trailing even North Korea in the eyes of the international community. However, as long as Bibi believes that all Jews are in favor of every action that his regime takes, he will continue to act as if there will be no negative repercussions to trying to destroy any legitimate chance at peace, undermining President Obama’s attempt to negotiate a peaceful settlement, and encouraging Jews to leave their homes for Israel. Netanyahu seems to believe that his political future, the future of Israel, and the fate of the Jewish people as a whole are the same thing and that only his victory can secure them.

I am Jewish, I support Israel, and I have many friends there; I believe its survival is as vital today as it was in 1948, but I am an American, my brothers serve in the American military, and regardless of how much I care for Israel, I believe that heading into war with a nation of 80 million on Israel’s behalf would be catastrophic. I think the best course for the USA is to make it absolutely clear to Netanyahu that we are not giving him a blank check of support and that if he chooses to initiate a war with Iran, he’ll be on his own; maybe if we make that clear to him, he might think twice before pursuing aggressively pro-war policies. Israel cannot go to war with a nation as large as Iran without U.S. help and, unless Iran strikes first, we must deny Bibi that help if we are to have a legitimate chance for peace. If Iran strikes first then Israel should be able to count on vigorous U.S. support, but not only would a U.S.-Iranian war be a disaster for Americans, such a war would be far worse for Israel because it would devastate the nation in the short-term and threaten the long-term U.S.-Israeli alliance since, once the bodies start to pile up, how long will it be before Americans turn against the war and then against Israel entirely? How long after that will it be before Americans start looking for a scapegoat and find one in the millions of Jewish people who live here? Bibi is playing a very dangerous game here, and if he’s not careful it will be the Jewish people, whether Israeli or not, who are going to get hurt.

An Empire Washed Away

I loved HBO’s Boardwalk Empire from the first minute. I thought it was beautifully shot, well written, and had one of the greatest casts from top to bottom of any show I’d ever seen (I don’t know if it’s possible to top a cast led by Steve Buscemi, Kelly MacDonald, Michael Pitt, Shea Wigham, Jack Houston, Michael K. Williams, Gretchen Mol, Michael Shannon, Stephen Graham, Michael Stuhlbarg, and Dabney Coleman among others). I loved how the show could be daring, how no fictional character seemed safe, and how the show would start slowly as each season introduced new characters, themes, and plots, only to pick up at about the midway point and then sprint toward the season finale with each episode being more tense and explosive than the last. I loved that each season wound down with the new revelations and character developments making a second viewing of each episode not only rewarding but almost necessary. And yet for all of that, Boardwalk Empire’s conclusion left me with a bitter taste in my mouth far beyond what I felt for other dramas with divisive finales like The Sopranos, Lost, and (to a lesser degree) the Wire.

Coming into this final season I was upset with the time jump to 1931 and about only getting 8-episodes to say goodbye to the show (which had previously had 12 episodes a season, meaning this year was only 2/3rds of a typical BE season). As the final campaign began there was still a lot to love even if in many cases some of the good things seemed either rushed or too late. For example, the flashbacks showing Nucky Thompson’s rise were very interesting and added a lot of color to certain scenes and character relationships this season, but the flashbacks would have been far better if the scenes had come earlier in the show’s run because they gave us a much deeper understanding of who Nucky was, what drove him to do the things that he did, and how he became the mysterious man we had watched for five-years. It seemed a little late in the game to attempt to add depth to a character who, for most of the show’s run was (regardless of the great acting job by Steve Buscemi) probably the weakest leading man of all the great antihero-centric dramas that sprung up after the Sopranos. Had they come earlier in the show’s run, the flashbacks would have kept Nucky at the forefront of the show, but instead for four-seasons we had watched Nucky fade into the background of his own show and disappear behind more colorful and exciting characters like Jimmy, Arnold Rothstein, Al Capone, Margaret, Chalky White, and – perhaps the show’s most memorable original character – Richard Harrow. My unhappiness with the finale ties to Richard as well as the fact that a show that had done a great job at staying unpredictable began telegraphing its punches so blatantly in the final season.

It was obvious to me from the first second we met ‘Joe Harper,’ that the young would-be protégé hanging around Nucky was likely to be Tommy Darmody, but it seemed too sloppy to me for a show that had always been so precise because the ages didn’t seem to line up (based on my knowledge of history, Tommy would have been 14 at the oldest in 1931). However, that was only a small part of what concerned me with Tommy’s appearance and his pursuit of vengeance against Nucky for what Nucky had done to the Darmody family. Tommy’s knowledge that Nucky had murdered his father and betrayed his grandmother stretched credulity to the breaking point, but another thing that has been gnawing at me ever since we saw Tommy kill Nucky (and get arrested directly after): Richard Harrow’s entire storyline throughout seasons 3 and 4 is now meaningless.

Richard Harrow is probably the most beloved character to come out of Boardwalk Empire. A sniper in the US Army who had half his face destroyed by a bullet during World War I and wore a poorly painted tin mask to cover up his wounds, Richard returned home from the Great War so broken both physically and emotionally that he had lost his moral compass. Richard became close to fellow-soldier Jimmy because good-looking Jimmy – with his toddler son Tommy and pretty young wife Angela – was if anything even more damaged internally than Richard was. After Jimmy’s death at the end of season 2, it seemed that Richard’s role as a character on the show had died too, but instead he became a richer character as he tried to take Jimmy’s advice and ‘come back’ from the horrors he had witnessed, perpetrated, and endured in WWI and beyond. The prime mission in Richard’s life became taking care of the orphaned Tommy and trying to give him a better life, something that he saw would be impossible if Tommy was forced to stay under the care of his manipulative and mentally ill grandmother Gillian. Gillian chose to raise Tommy in a brothel she ran, and in order to free Tommy from that brothel and from Gillian, Richard mounted an assault on the gangsters who had taken over Gillian’s mansion in the season 3 finale and rescued Tommy.

However we found out in season 4 that Tommy was not totally free from his grandmother’s reach. Richard had brought him to stay with his girlfriend and later wife Julia Sagorsky but Gillian was pressing her own claim on the boy and in order to give Tommy a truly clean start, Richard was forced to take on one more mission for Nucky. Richard sent Tommy and Julia to Richard’s sister’s house in Wisconsin, but he struggled with having to kill again and he made a mistake, killed an innocent person, and was himself mortally wounded in turn. He died dreaming of the better life he had built for Tommy in Wisconsin. But the show ended with Tommy coming back and murdering Nucky in front of federal agents, meaning he is going to be arrested for premeditated murder and either jailed for life or even executed. Two seasons of Richard risking everything and eventually losing his life to save Tommy had been thrown away in order to have a neat symmetrical end where Tommy killed Nucky by shooting him in precisely the same place under the left eye where Nucky shot his father.

And now we come to the biggest problem with Tommy’s actions against Nucky: how did Tommy even know Nucky did anything to deserve such vengeance? Not only did Gillian almost certainly never tell Tommy that Nucky had murdered Jimmy, it would have been incriminating because her story to the world was that Jimmy had overdosed on heroin in the bathtub of her mansion. Richard almost certainly never told Tommy about what happened to Jimmy, and those who raised Tommy (Julia, her father, and Richard’s sister and brother-in-law) had no knowledge of Jimmy and almost none regarding Gillian and Nucky. Gillian lost custody of Tommy when he was somewhere around 6 or 7-years-old, meaning that the complexity of Nucky’s betraying the 12-year-old Gillian and giving her to the Commodore (whom Nucky knew to be a pedophile) would be lost on Tommy. And that brings me to one of my biggest pet peeves in any kind of fiction: a character being punished for something that we in the audience know that he or she did but that the other characters in the show (or book, movie, play, or whatever) would absolutely have no knowledge of.

It can be tempting for any writer to turn their story into a kind of morality tale – Nucky did bad things, and therefore he was punished for them; it is a common trope in fiction. However I had thought that with Boardwalk Empire, creator Terrence Winter was aiming higher and trying to give us a great character study and examination of crime in the 1920s-30s. In real life people do bad things all the time and no one ever finds out – although admittedly, most of those things don’t involve murder: people cheat on their spouses, steal from friends/family/strangers, and hurt people and they often get away with it. We in the audience know what Nucky did because we got to be there to watch him do them, but how on earth would Tommy know enough not just to be mad at Nucky, but to leave his home in Wisconsin and travel around 1,000 miles (during the Great Depression no less) with the intent to murder him? Yes it was poetic justice for the audience to see Nucky killed by a Darmody after he had done so many awful things to the family, but in real life there isn’t always such a clear answer and many times people get away with the awful things they do.

I am fine with the fact that Nucky died as I don’t always require happy endings, but the way it happened cheapens the show in so many ways as to leave me angry at the ending of a show I had loved from the beginning. I thought I was watching a character study that refrained from judging the characters for the often grotesque and despicable acts they committed, but at the end it turned into a morality tale that all boiled down to: don’t shoot the son of a 12-year-old girl who you handed over to a pedophile under his eye, or his son will track you down and shoot you under your own eye.